Give AI slop a hard stop.

Here’s a truth about the perpetual mudslide of AI slop:

It’s avoidable. Mostly.

And here’s how:

• Cull your connections to people you’ve met, you know well, and trust their insights. Numbers of connections mean nothing. Real human connections are what matter.

• If someone in your network is a slop-slinger, mute them.

• You’ve been conditioned to scroll, but a habit formed can be a habit broken.

• Search with specific intention vs. scrolling aimlessly.

• Seek out insights from your people vs. hoping they appear in the timeline. The timeline is not your friend. It is a slop-fest.

Then, close the tab.

Close the app.

Close the laptop.

Turn off the device.

AI slop is a digital phenomenon.

Live outside your devices and live more slop-free.

“Stay hungry” isn’t near as fun as staying curious

This is not your typical post.

What follows is an online-offline exchange with one of the best creative minds in the business right now — Greg Walter of 2Tall Animation.

His sports-related animation studio has become a sought-after partner across global sports leagues and their teams with millions of eyeballs on the content they create. And for someone who I assumed owned the cheat code for timely, buzzworthy creative content, I didn’t see this question coming — at least not from him.

The question he posed online to fellow creatives is below, and what I feel strongly, via my own creative practices, is simply one way to respond to it.

I talked with Greg about this before posting to get his blessing on sharing insights from our exchange (slightly modified). Frankly, I would’ve responded publicly in the app, but found I had more to say than the tiny window afforded. I also think a lot of hard-working, thoughtful and creative people who have been on the scene for a while can glean some helpful takeaways here. At least that’s my hope.

GREG:

To the Gen Xers, the children of the 80s, the greying ass-kickers who are still at it, still risking, still creating… what are your tricks to staying sharp, creative, and hungry?

ME:

Greg, I saw your post and it got me to thinking….

While I lack any tricks or life hacks, I interpret your question as being about “more work” or new work – and, I don’t know about you, but I’m feeling drained by “feeding the beast” and doing “treadmill sprints” more often than I’d like to admit.

So I have to stop looking at this as “work” and, instead, as curiosity. A curiosity that I trust will feed new ideas that become the energizing work we “get to” do — not just have to do.

I know, curiosity = buzzword, so let me explain my take.

My version of curiosity isn’t surface-level and business-relevant hot takes of saying, “dang, look at Agency X killing it over there. Why didn’t we think of that? How can we riff off that?”

No. What I mean is:

Go hang out with younger people.

In particular, I’m looking at people who are 15 to 29 years old (and young 30s). And here’s why:

The age range reveals an interesting learning loop. 15-year-olds are starting to think for themselves, breaking away from parental molds and “discovering” who they are, their likes and dislikes.

A lot of it is peer-induced, but it’s the beginning of noticing trends. Trends that, like all trends, once existed in a different time, different shape or container, and are now recycled for a new generation. This to me is a well of fascination.

They fall in like and then in love with things borne of the 80s or 90s or aughts often without knowing the origin source, because it has a new twist on it just for them. So looking at them and through their lens, I see things of my past differently.

We have a choice — we can be the old farts who say, “I remember when Don Henley sang Boys of Summer back in 1984” and shake an angry fist at a cloud when we hear a cover of it; or we can embrace The Ataris version that is faster, more punk-pop, swapping out a Dead-head sticker on a Cadillac for a Black Flag sticker (which, arguably, I’d prefer). It’s the same dang thing slightly tweaked for a new audience. And I realize I can love them both.

It’s the sharpness and clarity of old becoming new again. That makes me hungry to learn more. To ask “what if” more. Pursue more.

Same is true for college-age people and those post-college young adults entering the workforce and adulting, what they are willing to work for (and not work for), their questioning of purpose, value, commerce – a more cerebral, personal awakening that isn’t solely material, but feeds their choices.

The more time I spend with those younger than me by a good stretch, the more alive they make me feel, the more curious I become, the more I translate that into my work of creating and mashing things up. Because if the cliché of there’s nothing new to discover is only partially true, then it’s in the remix where all the next great inventions exist.

CASE IN POINT:
I would love to know what percentage of your younger audience consuming 2Tall’s basketball results content has a clue that it is a mashup of a Charlie Brown Christmas and NBA personas and outcomes. It’s like an Easter Egg for us Gen Xers, with a wink and a nod to say, I saw what you did there!

But that knowledge isn’t necessary for a younger jet set to love it. That’s feeds their hunger. Not just borrowing from the past, but making it relevant for today’s audiences.  

Funny, when I get together with some of our long-time friends, I’m often more energized in hanging with their college-age kids. Talking and experiencing music, culture, whatever. It’s absolutely life-giving when you have a curiosity mindset.  But if I reduce my exposure to those my age, we digress into easy and comfortable territory, talking about the trials of aging, our latest health issue, stress, problems, because we’re on the same chapter together. While it can be comfortable, it also can be life-draining.

I think the more bold, the more crazy, the more inspiration from the unlikeliest places, the better. That’s where genuinely fun and interesting ideas come from.

Maybe your NBA playoff results look totally different — or don’t exist at all — if you and your team aren’t mining your childhoods, or rewatching a Charlie Brown Christmas with your kids.

So, how many other cultural levers can we find and pull and borrow from to make an old thing totally new?

This is what stirs the creative juices, IMO.

Not another brainstorm in the War Room.

Showing up and being present in the lives of those a generation or two behind us has so much give-and-take value for both side. There’s so much to glean and rethink — if we’re listening and paying attention. Because everything we’re looking for isn’t mysterious and hiding. It’s residing in our past memories and histories, waiting to be rekindled in a new way.

You’re already there. You’re leading the way in many respects.

Keep leaning into that grab-bag of curiosities and what-if mashups.

And for all the geezers who live for the data over the art, you can feel confident knowing your delivering both.

GREG:

Holy Crap, Thad. This is an amazing take. Never thought about it this way before. And it's totally true. I love hanging out with 20 somethings, but I never thought about it this way. This is how we stay relevant, keep moving forward, and keep our edge - it's by being around people who are in that stage of life where they're testing, striving, remixing, rethinking in a way that 50-somethings generally aren't.

I love hanging out with my 50-year-old friends because it's comfortable.

But I love hanging out with 20-somethings because it's electrical.

Maybe that's why I'm one of the few who really likes having teenage kids. It's invigorating as heck.

The most important part of writing isn't the writing

I question everything I write.

Until I don’t.

That doesn’t mean I believe my drafts evolve into perfection.

Truth is I haven’t come close to writing the perfect piece, ever.

But what I’ve managed to learn over a few decades of writing is this:

The most important part of writing

is questioning and thinking about

what you just wrote.

This is the writer’s contemplative work that demands unmerciful scrutiny:

• Is this really what you mean?

• Will it resonate with the audience?

• Did you use a helpful example or accurate analogy?

• Did you allow jargon to slip in?

• Can you say this differently but better, quicker, more human and conversational?

• Is it reflective of the brand or individual you’re writing for?

• Would you want to read this?

• Does it educate or challenge what you think?

• Does it make you want to take action?

Here’s an accepted truth:

Anyone can write and putting words on paper or a screen is easy.

But not everyone is a writer – and that’s okay and also acceptable. Not everyone is an engineer either. Which is why it’s helpful for non-writers to understand how writers do what they do.  

Writing (the process) doesn’t look like

writing (the act) at all.

Writing is rooted in everything that is simmering before the first words are hammered out, after the first draft –  and second, third or seventh – or however many are required until you land on a draft worthy of being final.

Writing includes thinking, mulling, stewing, questioning, arguing with yourself, walking away and letting first words calcify, returning to test if they are strong or brittle, tearing elements down and rebuilding.

It looks more like sculpting than writing. That’s because it is art.

Writing also involves letting someone with zero subject matter expertise read your draft to find out if they can follow it, to see if it makes sense even if they don’t know the technical details. Because simplicity outperforms the bravado of expert posturing. Which is to say…

Good writing is hard.

It is never automatic, and never a given.

Writing something good, once, is in no way a guarantee that your next thing will be any good. It requires doing the hard work from scratch, all over again with no shortcuts, in hopes that it too might become good.

The myth of great ideas.

Great ideas (epiphanies!) rarely “just happen” in a first draft or any draft. It’s like the fleeing fireworks display in the sky – it’s looks pretty, briefly, followed by hazy residue once the twinkle fades as you await what comes next. Instead, great ideas are the tortoises in these races to the finish line, always plodding a bit slower than we’d like but worth it in the end.

In fact, epiphanies aren’t unexpected, out-of-the-blue thoughts or ideas at all. They emerge when you prune and edit everything that’s been taking up space – in your brain and on the page. In this sense, the epiphany becomes sudden, recognizable clarity as bloated language and jargon get removed.

The great idea emerges after carefully working and examining the entire landscape and finding it has been hiding in plain sight all along.

Good writing is never over.

However, at some point it needs to be ready or complete. Complete means as far as you can take it, as well as you possibly can, with what you know right now. Because a few weeks or months from now you’ll look at what you wrote and find yet another way, possibly a better way to say it.

For people who don’t do a lot of writing, this takes entirely too long.

For writers, there’s always a desire for more time to allow the best ideas and language to emerge and mature. And that’s because writers know what’s at stake, writers know what the right words can unlock.

These days a lot of written content feels disposable, unhelpful, noisy [add your descriptor here].

It feels like fast food: quick, convenient, seemingly necessary, but also lacking. And just like fast food, disposable content feels even less fulfilling after its consumed.

It doesn’t have to be this way.

Even the shortest post can have a powerful impact.

The deception is in how easy it appears (but now you know the truth).

Slow down.

Think it through (ask more Qs and then think some more).

And then write some really good sh*t.   

** For the record, I wrote and edited this piece across multiple days and sittings, challenging myself and what I believe about the process. Nothing comes easy.

*** The photo image is the cover of Steven Pressfield’s book of the same title and is a must read for writers.

The biggest problem facing content creation today

Content is king. Long live content.

If you buy into this mantra, then you already know there is a daily scrum playing out across every conceivable media platform among content creators. They are pitted in a continuous battle for eyeballs, influencers and customers in hopes of grabbing those brass rings of conversation and conversion.

But here’s the rub: for too many content creators, creating exceptional content takes a backseat to creating an exceptional amount of content – even when we know that, in most cases, less is more. A few great posts will outshine a bunch of mediocre ones every time. But still we feel compelled to churn out thoughts and ideas because our content calendars and social strategies demand it. After all, we must feed the beast, right?

The biggest problem facing content creation today isn’t a lack of new content, the need for more boundary-pushing thinking, or getting content to audiences faster.

The biggest problem is the absence of good editing.

Without good editing you jeopardize your credibility and the brand you represent. Poorly conceived content often falls on deaf ears and a quickly fleeing audience. When that happens, the “Content is King” mantra can suddenly become “The King is Dead.”

You can avoid that outcome by embracing a few basic “truths” to ensure the content part of a content strategy works as it should.

• Writers create better than they refine. Writers seek to articulate ideas through explanations, narratives, characters, examples and analogies – sometimes all in the same piece. Writers also can justify a dozen different ways to say the same thing. Truth be told, undisciplined writers can take a good story or message and make it confusing, exhausting and even complicated – and that’s not a strong value proposition for building an audience. But first, allow the creators create. Refinement is what follows. 

• Writers need content editors. Content editors find the essence of the story and cut the extraneous stuff and fluff that doesn’t add value or paint a clearer picture. They uphold clarity and conciseness. Through their work they make writers better, which is why writers need to consider them as their most trusted allies. Perhaps you’ve noticed that more of your favorite or trusted sources for news are publishing content riddled with typographical errors. The rush to "break the news" has always been there. But with the steady decline of copy editors, writers and the brands they represent look sloppy in the process – and that works to erode confidence.

• The self-sufficient writer/editor is a rare species. Writers can wear the content editing hat to a point, but eventually they become too close to the subject matter to be critical. This clouds objectivity and a willingness to be brutally honest about the content. Writers need objective content editors who embrace the red pen.

• Self-editing is an oxymoron. The knee-jerk reaction is to get those comprehensive ideas out there in all of their informed glory – right now. In contrast, few individuals and organizations are willing to chew on those ideas, let them percolate, and hone their potential through rigorous editing. Because writers know what they intend to say, it leads to reading over how things actually appear during the self-editing process. Self-editing is no substitute for a second set of eyes.

Six considerations for your content creation process

As a content creator, you need a process to develop your best work. These six content creation considerations help us get better and they can do the same to improve any piece of content you create.  

• Write. Then walk away. Get your ideas down and then walk away. Engage your mind on other work and return to it later so the ideas become fresh again. A refreshed eye will reveal what ideas are worth keeping and expanding upon, and those that just aren't clicking. If you’re working against a content calendar, don’t wait until the day of publishing to start writing. Give yourself some space to contemplate what you've developed.

• Edit. Then edit again. Slash unnecessary descriptors. Remove extraneous metaphors. Limit your number of examples. Look at each sentence and ask – What must stay? What can go? If it’s helpful, set word count limits to help rein you in.

• Ask for input and seek out a proofreader. These are two different exercises. With input you’re asking for a critical read about the content (content editing) from someone who is knowledgeable about your subject matter and can ask probing questions. In doing this, you’re helping the piece better resonate with your target audience. Finally, ask someone to proofread for grammar, punctuation, syntax, sentence construction, and so on. You don’t need to be an expert grammarian, you just need to have one on your team.

• Focus on being better, not first. Looking to be the first to provide insight on a breaking news story? Good luck. There is a finite window for responsive content in relation to breaking news and a mad rush to be heard. As readers, we quickly reach a saturation point. So ask this instead: what perspectives aren’t being talking about? – and take that angle. You’re more likely to stand out in a sea of sameness that way.  

• Not everything is meant for publication. The process of writing has a funny way of revealing interesting truths. Sometimes that truth is – this isn’t very good or I have nothing new to add to this conversation. Better to keep this work on the shelf than part of an online library that makes it difficult for your audience to find your best work. And who knows, after several good edits and a new angle at a later date, perhaps you can salvage elements of that effort.

• Post and share with confidence. Realize nothing is perfect. There will be ideas and elements you wish you would’ve approached differently when you review your post months from now. But keep this in mind: when you’ve considered your steps to creating better content and remained true to your intent to be helpful and shed new light on a subject, allow yourself to be feel confident knowing that you’ve put forth your best thinking at the time. Your audience will benefit from that kind of effort.    

When pressed with the proposition of creating more content or creating better content, pause and take a look around at what’s being published in your field. Then decide what camp you want to be in and the type of audience you want to cultivate.